Cinema Books | Best Books for Cinema | Latest Cinema Books
Best Cinema Books: The books can be a deposit of information and experiences for each student and also it has many benefits. The Cinema Books is our greatest friend. In our society, we’ve friends and foes. Even the questionable friends will cheat us in times. However, books are our never-failing friends. A bit like an honest friend, it offers us company throughout idle time. An honest book guides us in our lives, and it helps us very much in our educations and studies for our future aims. So here we are giving you some information about best books which has excellent study materials and are latest for education in the field.
Books are the richest source of education and also a correct answer for every topic such as how to prepare for Cinema exam. Here we are providing you some latest and written by the best of authors books hoping to give the students a best approach and study materials so as to make easy for the exams. The various department’s education books we are providing below are followed:
“A first rate book and a joy to read…. It’s doubtful that a complete understanding of the director’s artistry can be obtained without reading this book…. Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction.”
History of Indian Cinema is a concise database chronicling 98 years of Indian cinema, from its inception in 1913 to months before the date of publication. Author Renu Saran takes a look at Hindi cinema as well as regional cinemas, listing the successful and path breaking movies of each age, major actors and directors and awards and achievements, arranged according to region and industry.
Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films
* Shooting with DSLRs, video, film, and digital cinema cameras
* Digital editing with the latest video editing systems
* In-depth coverage of lenses, lighting, sound recording, and mixing
* The business aspects of funding and producing your project
A unique collection – entertaining, stimulating, heart-warming and thought-provoking – that brings together a wide variety of films from all corners of the world…
In this volume, the author declares that ‘watching world cinema is like going around the globe, visiting places and meeting people’. In fact, world cinema opens windows that reveal new vistas, new lands, new cultures and new lifestyles, without ever having to make a single journey abroad! Nevertheless, world cinema has galvanized people’s zest for travel and has boosted the tourism industry in many countries.
In World Cinema, we come across an assortment of talents that make us experience the complexities of human behaviour in different parts of Planet Earth.
Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University’s film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking.
Cinema Books: Satyajit Ray is acknowledged to be one of theworld’s finest film-makers. This book brings together some of his most cerebral writings on film. With the economy and precision that marked his films, Ray writes on the art and craft of cinema, pensan ode to silent cinema, discusses the problems inadapting literary works to film, pays tribute to contemporaries like Godard and Uttam Kumar and even gives us a peek into his experiences at film festivals, both as a jury member and as a contestant. Including fascinating photographs by and of the master, Deep Focus not only reveals Ray’s engagement with cinema but also provides an invaluable insight into the mind of a genius.
“It is said that fact is sometimes stranger than fiction, and nowhere is that more true than in the case of black holes. Black holes are stranger than anything dreamed up by science fiction writers.”
In 2016 Professor Stephen Hawking delivered the BBC Reith Lectures on a subject that has fascinated him for decades – black holes.
Cinema Books: For many people, the word director/film-maker is mystifying, holding within its folds spaces inaccessible to most people. In this book, Rakesh Bakshi attempts to demystify the director’s invisible and omnipotent presence in films. He documents the lives and experiences of some of the finest Hindi film-makers – Ashutosh Gowariker, Mahesh Bhatt, Prakash Jha, Shyam Benegal, Tigmanshu Dhulia, Vishal Bhardwaj, Zoya Akhtar, Santosh Sivan, Subhash Ghai, Farah Khan, Imtiaz Ali, Govind Nihalani. In fascinating interviews, these directors reveal the many and unexpected turns their lives have taken, how and why they came to direct their first films and what influenced the choices they made.
Cinema Books: India’s greatest film-maker on the art and craft of films. Exactly fifty years ago, in 1955, the release of Pather Panchali heralded the arrival of a master in the world of cinema. Over the next forty years, Satyajit Ray came to be regarded as one of the world’s finest film-makers ever. Today, more than a decade after his death, he continues to be India’s most respected name in international film circles. Apart from his achievements as a director, Ray was also a prolific writer of novels, short stories, and essays on cinema. Speaking of Films brings together some of Ray’s most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and color.
Cinema Books: Theodore Baskaran weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south, trade unionism in South Indian film industry, and the need for historicizing southern cinema. Baskaran also investigates how Tamil cinema is struggling to get free from the legacy of company drama and the persistence of stage features. While his sharper focus rests on Tamil cinema, this collection will interest historians and students of Indian film, and the general readers who look for a sprightly introduction to the world of South Indian films. Chapter titles include. Cinema as a source material for history, Cinema house as public space, Adaptations from literature.
For more Books of Cinema just go through the given table: